Unterwegs zur Theologie





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Á¦1Àý
Àΰ£ÀÇ »î ¼Ó¿¡¼­ °í¸ÅÇÑ ºÒ¸¸À» ºÒ·¯ÀÏÀ¸Å°´Â ¿äÀÎÀº, ¾Æ¸§´Ù¿ò°ú ÁöÀû Ư¼º°ú Àǹ«¿¡ ´ëÇÑ Æò°¡¿¡ ±âÃÊÇؼ­ ºñÆÇÁ¤½ÅÀÌ Á¡Â÷ÀûÀ¸·Î ¿ì¼¼ÇÏ°Ô µÇ¾î°£´Ù´Â °ÍÀÌ´Ù.
The factor in human life provocative of a noble discontent is the gradual
emergence into prominence of a sense of criticism, founded upon appreciations of beauty, and of intellectual distinction, and of duty.
Á¦2Àý
°¢ ½Ã´ë¿¡´Â »ç»óÀÇ Çü½ÄµéÀÌ °®´Â ÀϹÝÀûÀÎ Çü½ÄÀ̶ó´Â °ÍÀÌ ÀÖ´Ù. ±×¸®°í ÀÌ·¯ÇÑ Çü½ÄÀº ¸¶Ä¡ ¿ì¸®°¡ ȣȩÇÏ´Â °ø±âó·³ ¸Å¿ì Åõ¸íÇÏ°í ¾îµð¿¡³ª Á¸ÀçÇϸç Áö±ØÈ÷ ÇÊ¿¬ÀûÀÎ °ÍÀ¸·Î º¸À̱⠶§¹®¿¡ »ó´çÇÑ ³ë·Â ¾øÀÌ´Â ±×°ÍÀ» ±ú´ÝÁö ¸øÇÑ´Ù.
In each period there is a general form of the forms of thought;and, like the
air we breathe, such a form is so translucent, and so pervading, and so
seemingly necessary, that only by extrere effort can we become aware of it.
Á¦3Àý
This growth of the idea of the essential  rights of human beings, arising from their sheer humanity, affords a striking example in the history of ideas. Its formation and its effective diffusion can be reckoned as a triumpf-a chequered triumph-of the later phase of civilization.
¼ø¼öÇÑ Àΰ£¼º¿¡¼­ ¿À´Â Àΰ£ÀÇ º»ÁúÀû ±Ç¸®¶ó´Â °ü³äÀÇ ÀÌ·¯ÇÑ ¹ßÀüÀº °ü³äÀÇ ¿ª»ç¿¡ ÀÖ¾î ÇϳªÀÇ µÎµå·¯Áø »ç·Ê°¡ µÈ´Ù. ±×°ÍÀÇ Çü¼º°ú ±×°ÍÀÇ È¿°úÀû ÆıÞÀº ¹®¸íÀÌ ±× Èı⠱¹¸é¿¡¼­ °ÅµÐ ½Â¸®-ÆĶõ¸¹Àº ½Â¸®-·Î º¼ ¼ö ÀÖ´Ù.
Á¦4Àý
The progressof humanity can be defined as the process of transforming society so as to make the original Christian ideals increasingly practicable for its individual members.
ÀηùÀÇ Áøº¸´Â »çȸÀÇ °¢ ¼º¿øµéÀÌ ÀÌ ±Ù¿øÀûÀÎ ±âµ¶±³ÀÇ ÀÌ»óÀ» ½ÇõÇÒ ¼ö ÀÖµµ·Ï Á¡Â÷ÀûÀ¸·Î »çȸ¸¦ º¯Çõ½ÃÄÑ¿Â °úÁ¤À¸·Î Á¤ÀÇµÉ ¼ö ÀÖ´Ù.
Á¦5Àý
Áß¿äÇÑ º¯ÃµÀº ¼¼°èÀÇ ¾çÃø¸é, Áï ¼¼°èÀÇ ¹°¸®Àû ¼ºÁú°ú Á¤½ÅÀû ¼ºÁú¿¡¼­ À¯·¡µÇ´Â ÈûÀÌ ¼­·Î ÀÏÄ¡ÇÒ ¶§ ÀϾ´Ù.
±×·¡¼­ 19¼¼±â¿¡´Â ±Ù´ëÀÇ '¹ÎÁÖÁÖÀÇÀÚµé'ÀÌ ¿ë±â¸¦ ³»¾î '³ë¿¹Á¦'ÀÇ ¹®Á¦¿Í ÀÇ¿¬ÇÏ°Ô ±×¸®°í öÀúÇÏ°Ô ¸Â¼¹´Ù. ±×°ÍÀ¸·Î °ü³äÀÌ ¼­¼­È÷ ÀÛ¿ëÇÑ´Ù´Â °ÍÀÌ ¿¹½ÃµÈ´Ù. ÇöóÅæÀÇ '¾ÆÄ«µ¥¹Ì'°Ô ¼³¸³µÈ ÀÌ·¡·Î, ½ºÅä¾Æ ¹ý·ü°¡ÀÇ °³ÇõÀ¸·ÎºÎÅÍ, ±×¸®°í º¹À½¼­ÀÇ ÆíÂùÀ¸·ÎºÎÅÍ 2õ ³âÀÌ °æ°úÇÑ µÚ¿´´Ù. °íÀü¹®¸íÀÌ ³²±ä À§´ëÇÑ °³ÇõÀÇ ÇÁ·Î±×·¥ÀÌ ¶Ç ÇϳªÀÇ ½Â¸®¸¦ °ÅµÎ¾î°¡°í ÀÖ¾ú´Ù.
Á¦8Àý
Á÷Á¢ÀûÀÎ Á¾±³Àû Á÷°üÀº ±× ±â¿øÀÌ ¾Æ¹«¸® ¼ø¼öÇÑ °ÍÀÏÁö¶óµµ ±âÁ¸ »çȸ¿¡ ÆíÀçÇØ ÀÖ´Â Àú±ÞÇÑ ¾Ç½ÀÀ̳ª Á¤¼­¿Í ¾ðÁ¦µçÁö °áŹÇÒ À§Ç輺ÀÌ ÀÖ´Ù. Á¾±³´Â öÇп¡ ÃßÁø·ÂÀ» Á¦°øÇÑ´Ù. ±×·¯³ª ÇÑÆíÀ¸·Î ¼­º¯Ã¶ÇÐÀº ´ç´ëÀÇ Çൿ¾ç½ÄÀ¸·Î ³ªÅ¸³ª´Â »ç½Ç·ÎºÎÅÍ ¹þ¾î³ªÀÖ´Â ±Ã±ØÀû Àǹ̸¦ ½Ã»çÇÔÀ¸·Î½á, ¿ì¸®ÀÇ º¸´Ù °í±ÞÇÑ Á÷°üÀÌ Àú±ÞÇÑ °Í°ú °áŹÇÏ´Â °ÍÀ» ¹æÁöÇØÁØ´Ù.

Á¦3Àå ÀεµÁÖÀÇÀÇ ÀÌ»ó
Á¦1Àý
º¯ÇõÀÇ °úÁ¤¿¡¼­ öÇÐÀº ±× ÀϹݼºÀ» ÅëÇØ °øÇåÇß°í, ¹ý·üÀº °Ç¼³Àû ´É·ÂÀ» ÅëÇØ °øÇåÇßÀ¸¸ç, Á¾±³´Â µµ´öÀû ¿¡³ÊÁö¸¦ ÅëÇØ °øÇåÇÏ¿´´Ù. (82ÆäÀÌÁö±îÁö)

* ÀÏ´Ü ¿©±â¿¡¼­ ¿ìÁÖ·ÐÀû °üÁ¡À¸·Î ³Ñ¾î°£´Ù.

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Á¦1Àý
ÀÌÁýÆ®´Â 3õ³â Àü¿¡ °ÉÄ£ ¾ÈÁ¤µÈ ¹®¸í¿¡¼­ À¯·¡ÇÏ´Â ¼º¼÷ÇÑ ±â¼úÀ» Á¦°øÇÏ¿´°í ÆÈ·¹½ºÅ¸ÀÎÀº ±Ã±ØÀÇ Á¾±³Àû ¿ìÁÖ·ÐÀ» Á¦°øÇÏ¿´À¸¸ç ±×¸®½º´Â öÇаú °úÇÐÀ¸·Î À̾îÁ³´ø ¸íÈ®ÇÑ ÀϹÝÈ­¸¦ Á¦°øÇÏ¿´´Ù. ±×¸®½ºÀÇ ÀÌ·¯ÇÑ ³í¸®Àû ¸í¼®¼ºÀº ±×¹ÛÀÇ À¯»ê, Áï ±×¸®½ºÀÇ ¿¹¼úÀ̳ª »ó»óÀû ¹®Çеµ ¹°µéÀÌ°í ÀÖ´Ù.
Á¦3Àý
»ç»óÀÇ »õ·Î¿î °æÇâÀº Çй®ÀÇ ¿µ¿ª ¼Ó¿¡¼­ »õ·Î¿î ¼ÒÀ縦 À̲ø¾îµéÀÌ´Â Á÷°üÀÇ ¼¶±¤À¸·ÎºÎÅÍ »ý°Ü³­´Ù.
¼¼¹ÐÇÑ »ç½Ç¿¡ °üÇÑ Çй®À̳ª ¾ö¹ÐÇÑ ³í¸®ÀÇ Çй®¿¡ ÀÇÇØ ´Ü·ÃµÇÁö ¸øÇÑ ¼ø¼öÇÑ »çº¯Àº ´ëü·Î »çº¯¿¡ ÀÇÇØ ±¸Á¦¹ÞÁö ¸øÇÑ ¼ø¼öÇÑ Çй®º¸´Ù ´õ ¹«ÀÍÇÏ´Ù. Çй®ÀÌ Áøº¸ÇÏ´Â µ¥ ÀÖ¾î ÀÌ µÎ ¿ä¼ÒÀÇ ÀûÀýÇÑ ±ÕÇüÀº ±× ½Ã´ëÀÇ ¼º°Ý°ú ƯÁ¤ÇÑ °³ÀÎÀÇ ´É·Â¿¡ ´Þ·Á ÀÖ´Ù. ±×¸®°í ´ëÁ¶¸¦ ÀÌ·ç´Â ¿©·¯ ¿ä¼Ò°£¿¡ 'Áß¿ë'ÀÇ ¹ýÄ¢À̶õ °ÍÀÌ ÀÖ±â´Â ÇÏÁö¸¸ ¾î¶² °úµµÇÔÀÌ ¸ðµç À§´ë¼º¿¡ ÇÊ¿äÇÑ ¿ä¼ÒÀÎ °Íó·³ º¸Àδٴ °ÍÀº ±×¸®½º »ç»ó¿¡¼­ ã¾Æº¸±â ¾î·Á¿î ±â¹¦ÇÑ »ç½ÇÀÌ´Ù. ¾î¶² ¹æÇâÀ¸·Îµç ¿ì¸®´Â ¼ø¼öÀ̼ºÀÇ ºÐ¼®¿¡ ÀÇÇØ º¸ÁõµÇ´Â °ÍÀ» ³Ñ¾î¼­´Â °Í¿¡ Àü³äÇÏÁö ¾ÊÀ¸¸é ¾ÈµÈ´Ù.
°ü³äÀÇ ¸ðÇèÀÇ ÇÑ Ãø¸éÀº ÀÌ »ç»ö°ú Çй®ÀÇ »óÈ£ÀÛ¿ëÀÇ ¿ª»ç, Áï Áøº¸ÀÇ ½Ã´ëµéÀ» ÅëÇؼ­ °è¼ÓµÇ¾î¿Â °¥µîÀÇ ¿ª»çÀÌ´Ù. ÀÌ ¿ª»ç´Â À§´ëÇÔÀÌ ÀýÁ¤¿¡ ´ÞÇÏ°í ÀÖ´Â ½Ã±â¿¡ ´Þ¼ºµÈ »çº¯°ú Çй®»çÀÌÀÇ ¿îÁÁÀº ±ÕÇüÀ» º¸¿©ÁÖ°í ÀÖÀ¸¸ç, ±×°ÍÀº ¶ÇÇÑ ±×¿Í °°Àº ´Þ¼ºÀÇ ¸ðµç Á¤Á¡¿¡ ÀÖ´Â °úµµÇÔÀÇ »öÁ¶¸¦ º¸¿©ÁÖ°í ÀÖ´Ù. ±×·¸°Ô ÇÔÀ¸·Î½á ÀÌ ¿ª»ç´Â Àΰ£ÀÇ »î¿¡ À־ ÃÖ°íÀÇ ¼ø°£ÀÌ ºñ±ØÀûÀ¸·Î ¤FÀº °ÍÀÌ µÇ´Â ÀÌÀ¯¸¦ Á¦½ÃÇØÁÖ°í ÀÖ´Ù.
Á¦5Àý
¿À´Ã³¯ 'ÀÚ¿¬ÀÇ ¹ýÄ¢'¿¡ °üÇؼ­ ³Î¸® ¾Ë·ÁÁø ÁÖ¿ä Çм³·Î´Â ³× °¡Áö¸¦ µé ¼ö ÀÖ´Ù. ¹ýƽÀ» ³»ÀçÇÏ´Â °ÍÀ¸·Î º¸´Â Çм³, ¹ýÄ¢À» ºÎ°úµÈ °ÍÀ¸·Î º¸´Â Çм³, ¹ýÄ¢À» °üÂûµÈ °è±âÀÇ Áú¼­·Î °£ÁÖÇÏ´Â Çм³, ´Ù½Ã ¸»ÇÏ¸é ¹ýÄ¢À» ´Ü¼øÇÑ ±â¼ú·Î ÀÌÇØÇÑ Çм³-±×¸®°í ¹ýÄ¢À» ±Ô¾à¿¡ ÀÇÇÑ Çؼ®À̶ó°í º¸´Â ºñ±³Àû ÃÖ±ÙÀÇ Çм³ÀÌ ±×°ÍÀÌ´Ù.

Á¦9Àå °úÇаú öÇÐ

Á¦1Àý
¹®¸íÀ» °ú°ÅÀÇ ¾ÈÁ¤µÈ »óÅ·κÎÅÍ ¸ô¾Æ¼¼¿ì´Â °Ý·ÄÇÑ ÀڱؿäÀÎÀΠȣ±â½ÉÀº ¿ø¸®¸¦ Ãß»óÀÇ ÇüÅ·ΠÁø¼úÇÏ°íÀÚ ÇÏ´Â ¿å±¸ÀÎ °ÍÀÌ´Ù.
The curiosty, which is the gadfly driving civilization from its ancient
safeties, is this desire to state the principles in their abstraction.
Á¦3Àý
öÇÐü°è´Â Àΰ£ ÀÚ½ÅÀÌ º¸´Ù ½É¿ÀÇÑ Á÷°ü·ÂÀ» ¿¬¸¶ÇÏ´Â ¹æ¹ýÀÎ °ÍÀÌ´Ù.
Philosophic systems are the way in which the human spirit cultivates its
deeper intuitions.
Á¦4Àý
Á¶È­¿Í ¼öÇÐÀû °ü°è¶ó´Â °³³äÀº º¸´Ù ÀϹÝÀûÀÎ °³³ä, Áï ´ÙÀÚÀÇ ´Ù¾ç¼ºÀ» ÀÏÀÚÀÇ ÅëÀϼºÀ¸·Î Àüȯ½ÃÅ°´Â, »ç¹°µéÀÇ ÀϹÝÀûÀÎ »óÈ£ ¿¬°ü¼ºÀ̶ó´Â °³³äÀÇ Æ¯¼öÇÑ ¿¹Áõ»ç·Ê¿¡ Áö³ªÁö ¾Ê´Â´Ù.
The notions of Harmony and of Mathematical Relations are only special
exemplifications of a yet more general philosophic concept, namely, that of general interconnectedness of things, which transforms the manifoldness of the many into the unity of the one.

Á¦10Àå »õ·Î¿î Á¾±³°³Çõ

Á¦1Àý
Á¾±³´Â ¿ìÁÖÀÇ ±Ã±ØÀû ½Åºñ·Î ÇâÇÏ´Â °´°üÀû Á¤µµ¿¡ µû¸£´Â ¸ñÀû°ú Á¤¼­¿¡ ´ëÇÑ ¿ì¸®ÀÇ ¹ÝÀÀ°ú °ü°èµÈ´Ù.
Religion is concerned with our reactions of purpose and emotion due to our personal measure of intuition into the ultimate mystery of the universe.
Á¦2Àý
ü°èÀû »ç»ó¿¡ ´ëÇÑ °ø°ÝÀº ¹®¸í¿¡ ´ëÇÑ ¹Ý¿ªÀÌ´Ù.
An attack upon systematic thought is treason to civilization.

Á¦5Àý
öÇÐÀû ½ÅÇÐÀÇ ÀÓ¹«´Â Ç¥¸é»óÀ¸·Î´Â ¹«ºÐº°ÇÑ °­Á¦¼ºÀÇ Ãæµ¹À» Åä´ë·Î ÇÏ¿© ¼¼¿öÁø ¼¼°è ³»¿¡¼­ ¹®¸íÀÇ À¶¼º°ú ¼ø¼öÇÑ »ý¸í ±× ÀÚüÀÇ ¹Î°¨¼º¿¡ ´ëÇÑ ÇÕ¸®Àû ÀÌÇظ¦ Á¦°øÇÏ´Â µ¥ ÀÖ´Ù.
It is the business of philosophical theology to provide a reational
understanding of the rise of civilization, and of the tenderness of mere life
itself, in a world which superficially is founded upon the clashings of
senseless compulsion.

Á¦11Àå °´Ã¼¿Í ÁÖü

1.¸Ó¸®¸»
2.°æÇèÀÇ ±¸Á¶
³»°¡º¸±â¿¡ ´Ü¼øÇÑ Áö½ÄÀ̶ó´Â °³³äÀº °íµµÀÇ Ãß»óÀ̸ç, ÀǽÄÀû ½Äº° ±× ÀÚü´Â °æÇèÀÇ °è±âµéÀ» ´õ¿í Àß ´Ùµë¾î¼­ ¸¸µç »ç·Êµé ¼Ó¿¡¼­¸¸ ÇöÁ¸ÇÏ°í ÀÖ´Â ÇϳªÀÇ °¡º¯Àû ¿äÀÎÀÎ °ÍÀÌ´Ù. °æÇèÀÇ ±âº» Åä´ë´Â Á¤¼­ÀûÀÎ °ÍÀÌ´Ù. º¸´Ù ´õ ÀϹÝÀûÀ¸·Î ¸»ÇÑ´Ù¸é, ±âÃÊÀûÀÎ »ç½ÇÀº ¿¬°ü¼ºÀÌ ÁÖ¾îÁø »ç¹°·ÎºÎÅÍ ½ÃÀ۵Ǵ Á¤°¨Àû »öÁ¶ÀÇ »ó½ÂÀÌ´Ù.
3.Ç¥Çö¹ý
ÁÖü·Î¼­ÀÇ °è±â´Â °´Ã¼¿¡ ´ëÇÏ¿© °ü½ÉÀ» °®´Â´Ù. ±×¸®°í °ü½ÉÀº µ¿½Ã¿¡ °´Ã¼¸¦ ÁÖüÀÇ °æÇè¿¡ À־ ±¸¼º¿ä¼Ò·Î ¹èÄ¡ÇÏ°í, Á¤°¨Àû »öÁ¶´Â ÀÌ °´Ã¼·ÎºÎÅÍ À̲ø·Á³ª¿À¸ç, ±×ÂÊ ¹æÇâÀ¸·Î ÇâÇÏ°Ô ÇÑ´Ù.
4.ÆľÇ
5.°³Ã¼¼º
ÇÑ °è±âÀÇ °³Ã¼Àû Á÷Á¢¼ºÀº Àý´ëÀû ½ÇÀç·Î¼­ÀÇ °è±âÀÎ ÁÖüÀû Çü½ÄÀÇ ÃÖÁ¾Àû ÅëÀϼºÀÌ´Ù.
The individual immediacy of an occasion is the final univy of subjective form, which is the occasion as an absolute reality.
6.Áö½Ä
¸ðµç Áö½ÄÀº °æÇèµÈ °´Ã¼¸¦ ÀǽÄÀûÀ¸·Î ½Äº°ÇÏ´Â °ÍÀÌ´Ù.
All knowledge is conscious discrimination of objects experienced.
7.°¨°¢Áö°¢
8.Áö°¢Àû ±â´É
9.°´Ã¼
°æÇèÀÇ °úÁ¤Àº, ±× °úÁ¤¿¡ ¼±ÇàÇÏ°í ÀÖ´Â Á¸ÀçµéÀ», ±× °úÁ¤ ÀÚ½ÅÀÎ º¹ÇÕÀû »ç½Ç ¼ÓÀ¸·Î ¼ö¿ëÇÔÀ¸·Î½á ±¸¼ºµÈ´Ù.
The process of experiencing is constituted by the reception of entities, whose being is an activity, analysable into modes of functioning which jointly constitute its process of becoming.
10.âÁ¶¼º
âÁ¶¼ºÀ̶õ °¡´ÉŸ¦ Çö½ÇÈ­ÇÏ´Â °ÍÀÌ´Ù. ±×¸®°í ±× Çö½ÇÈ­ÀÇ °úÁ¤ÀÌ °ð °æÇèÀÇ °è±âÀÎ °ÍÀÌ´Ù. ÀÌó·³ Ãß»óÈ­Çؼ­ º»´Ù¸é °´Ã¼´Â ¼öµ¿ÀûÀÎ °ÍÀÌÁö¸¸, °áÇÕ ¸é¿¡¼­ º»´Ù¸é ±×°ÍÀº ¼¼°è¸¦ ¿òÁ÷À̴ âÁ¶¼ºÀ» Áö´Ï°í ÀÖ´Ù. ÀÌ Ã¢Á¶Àû °úÁ¤ÀÌ '¿ìÁÖ'ÀÇ ÅëÀϼºÀÇ Çü½ÄÀÎ °ÍÀÌ´Ù.
The creativity is the actualization of potentiality, and the process of
actualization is an occasion of experiencing.
11.Áö°¢
ÀǽÄÀº °­Á¶ÀÇ ±ØÄ¡ÀÌ´Ù.
Consciousness is the acme of emphasis.
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16.¿¡³ÊÁöÀÇ È帧
¿ì¸®°¡ °ü½ÉÀ» °®´Â À¯ÀÏÇÑ °á·ÐÀº ¿¡³ÊÁö´Â ½Ã-°øÀ» ÅëÇؼ­ ÀÎÁöµÉ ¼ö ÀÖ´Â °æ·Î¸¦ °¡Áö°í ÀÖ´Ù´Â °ÍÀÌ´Ù. ¿¡³ÊÁö´Â Ư¼öÇÑ °è±â·Î Åë°úÇÑ´Ù. °¢ Á¡¿¡ Á¤·®Àû È帧°ú ÀÏÁ¤ÇÑ ¹æÇâÀ» °®´Â È帧ÀÌ ÀÖ´Ù.
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Áø¸®¿Í ¾Æ¸§´Ù¿òÀº °­Á¶¿Í ¿¬ÀåÀ» À§ÇÑ ±Ã±ØÀû ±Ù°ÅÀÌ´Ù.
Truth and Beauty are the ultimate grounds for emphasis and for prolongation.

Á¦17Àå ¾Æ¸§´Ù¿ò


cf. È­ÀÌÆ® ÇìµåÀÇ »ý¸í ÀÌÇØ

1. »ý¸íÀº ÀϹÝÀûÀÎ ¼ºÀ» À§ÇÑ °ÍÀÌ°Ç ±×·¸Áö ¾ÊÀº °ÍÀÌ°Ç°£¿¡ ¾àÅ»ÀÌ´Ù. ¹Ù·Î ÀÌ·¯ÇÑ Á¡¿¡¼­ µµ´öÀÌ ¿¹¹ÎÇÑ ¹«Á¦·Î µîÀåÇÏ°Ô µÈ´Ù. ¾àÅ»ÀÚ´Â Á¤´çÈ­¸¦ ÇÊ¿ä·Î ÇÑ´Ù.
2. »ý¸íÀ̶õ ÀÚÀ¯¸¦ ¾òÀ¸·Á´Â ³ë·ÂÀÌ´Ù.
3. »ý¸íÀ̶õ °³³äÀû ¿ªÀüÀÇ ¹üÁÖ¿¡ µû¶ó µµÀÔµÈ »õ·Î¿òÀ» ÀǹÌÇÑ´Ù´Â °ÍÀÌ´Ù.
4. ¹«±â¹°À» »ý¸íÀ¸·Î º¼ ¼ö Àִ°¡?
  - ¿ÏÀüÈ÷ »ì¾ÆÀÖ´Â °áÇÕü´Â ±× µ¿¹°½Åü¸¦ ¶°³ª¼­´Â ¾ö°ÝÇÑ Àǹ̿¡¼­ °áÄÚ »çȸ°¡ ¾Æ´Ï¶ó´Â °á·ÐÀÌ ³ª¿Â´Ù. »ý¸íÀº ÇÑÁ¤ Ư¼ºÀÌ µÉ ¼ö ¾ø±â ¶§¹®ÀÌ´Ù.
5.¸ðµç Á¸Àç¿¡´Â ¿ª»ç°¡ ½º¸çµé¾î ÀÖ´Ù. ±èÄ¡¸¦ ½ÏµÏ ÀÚ¸£´Â °¡À§·Î ³» ÄÚ¸¦ ÀÚ¸¥´Ù´Â »ç½ÇÀÌ µµ´ëü ±èÄ¡¸¦ ÀÚ¸¥´Ù´Â »ç½Ç°ú ¾î¶² Çö½ÇÀû Â÷ÀÌ°¡ ÀÖ³ª? °Å±â¿£ Àΰ£À» Áß½ÉÀ¸·Î »ý°¢ÇÏ´Â ¿ª»ç¼ºÀÌ ±× ÄÚ¿Í ±× °¡À§¿¡ ±êµé¾î ÀÖ´Â °ÍÀÌ´Ù. ¸ðµç Á¸Àç´Â °¢±âÀÇ ¿ª»ç¼ºÀ» °®°í ÀÖ´Ù.



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